Publications
This page contains published papers from the Augmented Instruments Laboratory, organised by date. Explore our latest research on musical instrument desgn, human-computer interaction, signal processing, performance studies and critical theory.
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2018
S. Salazar and J. Armitage
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Re-Engaging the Body and Gesture in Live Coding
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Proc. New Interfaces for Musical Expression
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Blacksburg, Virginia, USA
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2018
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2018
S. M. A. Bin, N. Bryan-Kinns, A. P. McPherson
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Risky business: Disfluency as a design strategy
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Proc. New Interfaces for Musical Expression
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Blacksburg, Virginia, USA
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2018
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2018
K. Buys and A. McPherson
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Real-time bowed string feature extraction for performance applications
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Proc. Sound and Music Computing
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Limassol, Cyprus
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2018
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2018
L. Pardue, A. McPherson and D. Overholt
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Improving the Instrumental Learning Experience through Complexity Management
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Proc. Sound and Music Computing
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Limassol, Cyprus
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2018
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2018
A. Sarwate, R. Rose, J. Armitage and J. Freeman
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Performance Systems for Live Coders and Non-Coders
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Proc. New Interfaces for Musical Expression
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Blacksburg, Virginia, USA
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2018
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2018
R. Jack, J.Harrison, F. Morreale and A. McPherson
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Democratising DMIs: the relationship of expertise and control intimacy
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Proc. New Interfaces for Musical Expression
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Blacksburg, Virginia, USA
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2018
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2018
J. Harrison, R. Jack, F. Morreale and A. McPherson
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When is a Guitar not a Guitar? Cultural Form, Input Modality and Expertise
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Proc. New Interfaces for Musical Expression
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Blacksburg, Virginia, USA
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2018
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2018
S. M. Astrid Bin
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The Show Must Go Wrong: Towards an understanding of audience perception of error in digital musical instrument performance
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PhD thesis, Queen Mary University of London
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2018
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2018
J. Pigrem and A. McPherson
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Do We Speak Sensor? Cultural Constraints of Embodied Interaction
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Proc. New Interfaces for Musical Expression
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Blacksburg, Virginia, USA
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2018
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2018
R. H. Jack, A. Mehrabi, T. Stockman and A. McPherson
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Action-sound Latency and the Perceived Quality of Digital Musical Instruments: Comparing Professional Percussionists and Amateur Musicians
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Music Perception
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2018
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2018
F. Morreale, J. Armitage and A. McPherson
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Effect of Instrument Structure Alterations on Violin Performance
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Frontiers in Psychology
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2018
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2018
V. Zappi and A. McPherson
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Hackable Instruments: Supporting Appropriation and Modification in Digital Musical Interaction
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Frontiers in ICT
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2018
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2018
G. Lepri, A. P. McPherson
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Mirroring the past, from typewriting to interactive art: an approach to the re-design of a vintage technology
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Proc. New Interfaces for Musical Expression
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Blacksburg, Virginia, USA
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2018
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2018
J. Armitage and A. McPherson
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Crafting Digital Musical Instruments: An Exploratory Workshop Study
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Proc. New Interfaces for Musical Expression
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Blacksburg, Virginia, USA
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2018
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2017
A. P. McPherson and F. Morreale
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Technology and community in toolkits for musical interface design
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ACM CHI Workshop on HCI.tools
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Denver, USA
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2017
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2017
A. P. McPherson, J. Armitage, S. M. A. Bin, F. Morreale, R. Jack
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NIMEcraft Workshop: Exploring the Subtleties of Digital Lutherie
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Proc. New Instruments for Musical Expression
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Copenhagen, Denmark
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2017
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2017
S. M. A. Bin, N. Bryan-Kinns, A. P. McPherson
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In-the-moment and beyond: Combining post-hoc and real-time data for the study of audience perception of electronic music performance
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Proc. INTERACT
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Mumbai, India
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2017
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2017
J. Armitage, F. Morreale and A. P. McPherson
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The finer the musician, the smaller the details: NIMEcraft under the microscope
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Proc. New Instruments for Musical Expression
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Copenhagen, Denmark
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2017
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2017
R. Jack and A. P. McPherson
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Rich gesture, reduced control: the influence of constrained mappings on performance technique
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4th International Conference on Movement Computing
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London, United Kingdom
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2017
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2017
J. Armitage and A. McPherson
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The Stenophone: Live coding on a chorded keyboard with continuous control
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Proc. International Conference on Live Coding
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2017
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2017
R. Jack and T. Stockman and A. P. McPherson
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Maintaining and constraining performer touch in the design of digital musical instruments
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Proc. Tangible, Embedded and Embodied Interaction (TEI) Graduate Student Consortium
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Yokohama, Japan
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2017
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2017
F. Morreale, R. Masu and A. P. McPherson
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Constraining control in mixed-initiative musical interfaces
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ACM CHI Workshop on Mixed-Initiative Creative Interfaces
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Denver, USA
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2017
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2017
F. Morreale, G. Moro, A. Chamberlain, S. Benford and A. P. McPherson
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Building a maker community around an open hardware platform
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Proc. ACM Conference on Human Factors in Computing Systems (CHI)
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Denver, USA
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2017
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2017
J. Harrison and A. P. McPherson
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An adapted bass guitar for one-handed playing
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Proc. New Interfaces for Musical Expression
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Copenhagen, Denmark
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2017
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2017
F. Morreale and A. P. McPherson
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Design for Longevity: Ongoing Use of Instruments from NIME 2010-14
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Proc. New Instruments for Musical Expression
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Copenhagen, Denmark
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2017
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Other Outputs
Laura Blue, Kevin Grey
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Mental Health in the Digital Age
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Journal of Mental Health
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2023
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Michael Green, Sarah Black
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Sustainable Energy Solutions
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Renewable Energy Journal
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2023
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Emily White, Robert Brown
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Advancements in Artificial Intelligence
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Journal of AI Research
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2023
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Alice Johnson, Mark Lee
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Climate Change and Global Health
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Global Health Perspectives
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2023
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John Doe, Jane Smith
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The Impact of Technology on Education
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International Journal of Educational Technology
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2023
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